Thursday, November 20, 2008

Big Oops in the Quarter

Billy and I were in the French Quarter recently and while perusing through junk in a store, we suddenly heard a loud crash,crunching sound. Thinking someone had possibly hit our car, which was parked right outside, we ran out to find this:

Someone had, for no reason at all, sharply turned into a balcony support. It was quite a sight to behold. The driver was the guy in black and to the left of the car in the picture below. He seemed to accept the mishap easily, while others around gathered around and got on their horns and snapped pictures to send to friends. The shop owners said that people run into balcony supports all the time.
When we drove past to go home, we noted the piece missing from the bumper and also, not in view here, a huge, HUGE crater in the side of the car. No wonder the guy was so nonchalant.

Wednesday, November 12, 2008

Angel's Trumpet Obsession

Our Angel's trumpet went berserk on us. It's an extraordinary effort for even this tree. After sunset, when the blossoms release an intoxicating perfume, one cannot walk outside without almost feeling assaulted by this foggy odor. The scent wafts through the house even with all windows and doors closed. Even if stifling, it is still pleasant.


Some comparison photos:







Ruthie's burden

Tuesday, November 11, 2008

Krewe of Boo

I finally have the chance to post Halloween pics. Billy took all the shots, and next time he will be less shy and will get in front of the subject when he shoots the photos, but it was his first p*ssy handler experience so he was overwhelmed! His other very important duties included pushing the crowds back, keeping roaming hands off the ladies and alerting us to any horse droppings along the route so we don't dance through them or kick them all over each other.

The P*ssyfooters where asked to march in the first ever Mardi Gras scale Halloween parade (why we have not done this before I cannot guess), Krewe of Boo. Specifically, we were asked to wear black and dress as cats. I am not a "playboy bunny/kitty" kind of girl, I go more for the cupcake/burlesque look, so I threw together a furry costume for the event that expressed my view of kitty. I have finally gotten all the fur out of all the corners of my house from cutting faux fur to sew.

I was a bird-lovin' cat:

I had birds swarming over my head
on a pillbox hat, just over my cat mask

I made fur fingerless gloves and furry
boot covers and added a feathery tail

We were interviewed by WDSU about our thoughts on the parade. The news anchor was, er, drawn to the cat suit (Leigh sewed herself into the homemade suit right before the event. Needless to say, she didn't drink too much). For my part, I told them it was about time that we had a parade like this, considering that October is a big tourist month for New Orleans, and that we are a great Halloween town and we ought to be doing more to attract tourists in order to pump up business anyway we can. The guy seemed surprised that a cat-masked chick had a ready answer. I do not know if it aired.


Strangely haunting group photo


Random dance shots:

Monday, November 10, 2008

Really Random Ruthie

It has come to my attention that Ms. Norma would like a Ruthie update. Recently, I dog sat for a dear friend from our old neighborhood (where in a strange coincidence -or the result of a small epidemic-there are at least three families with dachshunds -not including Ruth-Anne). The little long hair pictured with Ruthie and Mabel is named Sasha. She is a bit over a year and much bossier that Ruthie, who seems mellow in comparison. Ms. Norma: she reminds me of Olive at dinner time!



Taking over the bed


Sunning, yawning and stretching in the yard



Ruth-Anne has gotten loooooooooooooooong

Embracing the Obama Era, by Rebecca Solnit

Supporting a friend today, Rebecca Solnit, whose article below appears in The Nation.

Citizenship is a passionate joy at times, and this is one of those times. You can feel it. Tuesday the world changed. It was a great day. Monday it rained hard for the first time this season and on election day, everything in San Francisco was washed clean. I went on a long run past several polling places up in the hills around my home and saw lines of working people waiting to vote and contented-looking citizens walking around with their "I Voted" stickers in the sun and mud.
People have again found one of their--our--most buried and powerful desires: to make a better world together. I ran across an online collection of photographs of people crying in public, so moved by what is happening in this country, and I cried a little myself last weekend and choked up again when my local paper ran a story on a woman who'd crossed the country forty years ago for Martin Luther King's funeral and left her polling place Tuesday singing hallelujah, amazed like so many older people that she'd lived to see the day.

You can argue against Barack Obama. I would myself, on the grounds that electoral politics are inherently flawed, corrosive, disempowering. My leftist friends, already cranky about him, warn me that I will be disappointed, but I'm not sure I will, because my expectations are realistic. I love his style, but he's not my messiah.

Who he is is so much better than we had any right to expect in a country left to the jackals for so long, even if he's just a pretty gifted liberal Democrat with an uncanny ability to see beyond the binaries and describe what might lie there.

What he is, in all his hyphenated hybridity, is a sign of a new world being born--not, certainly, the "another world is possible" of the anti-globalization movement, but another world of mingling and crossing borders, of making new ethnicities out of love across old divides. He is a living invitation to come in from the cold for a lot of those who have been left out for decades, for centuries.

He's my age exactly, born that summer the Berlin Wall went up, and I recognize him, a man from the in-between. And I recognize my country's ability to surprise itself and the world as well by being great, just when our monstrousness seemed utterly inescapable.

His day picks up from many that have come before. It's the first great lurch forward for racial justice since the 1960s, that era of the civil rights movement. But it pick ups as well from the 1860s, from the unfinished promise of Abraham Lincoln--the promise over which a great and bloody Civil War was, in part, fought--to undo what that great president called the "original sin" of our country that goes back three centuries and more: race-based slavery.

Obama does not cancel out or heal the legacies of racism, but in becoming the most powerful man in the world he signifies that the game has indeed changed, not just ground to a halt partway to justice and equality. The inner-city kids I see in my neighborhood and the murderous racists I've encountered recently in New Orleans are both going to think about their place in the world and their rights differently from this day forward. And that matters immensely, whatever the man being voted into power today does, or does not, achieve.

I am against heroes generally, and I grieved to see how deferentially people invested their hopes in Howard Dean nationally in 2004, and in Matt Gonzalez in my local mayor's race the year before. The movements that invoked them were, in both cases, so much better than the men. The people who made up those great populist groundswells, as far as I'm concerned, mistook those men--little more than hood ornaments--for the engines powering their movements. And the movements died out when the men went nowhere. Had each of them won, their followers would have given them their power and hoped for the best, rather than keeping it and moving past them.

I thought we were entering an era where we would do without heroes, but we have been given a hero, which is a bit like being given a chainsaw or a credit card: you have to be careful how you use it.

This moment of joy will subside, and those who expected Obama to be flawless or to keep inspiring them forever and a day may be disappointed. Still, his strength is that he speaks the language of community organizers, of "si, se puede," and that, at least for a while, he may spread rather than consolidate power.

When you come down to it though, that's our responsibility, not his. His responsibility is to preside over a nation that must shrink from empire, on economic as well as moral grounds, from the mad consumptive prosperity of the postwar era, and from the profligate environmental destruction that went with it. Perhaps he will be our Gorbachev, a man with the boldness to yield and reduce.

Four Milestones to This Moment

This is a great day that picks up from so many moments that came before. Think of Obama as a new star that lets us pick out all sorts of constellations of history.

We're just short of the ninth anniversary of the first of what now seem like five extraordinary moments in a decade that historians a century hence may consider far more turbulent and transformative than the 1960s. I was there in Seattle on November 30, 1999, when a network of grassroots activists from around the world shut down the World Trade Organization (WTO) ministerial summit and said that the future was not going to be shaped solely by corporations, capital and governments; it belonged to us. And so it did: the WTO and many of the other institutions with plans to strengthen corporate control and power have crashed and burned since then; Latin America has swung far to the left; and finally, of course, in the past few months, neoliberalism and free-market religious fervor bankrupted themselves--and nearly everyone else.

That moment in 1999 was an extraordinary one for popular power. It changed the world in ways no one expected. The year 2008 looks nothing like anything any of us imagined--for better and worse. And we got here on a sprint across three more strange milestones.

Few would normally include 9/11 among uplifting moments, but I've been writing about disasters for the past four years and part of what prompted me to do so was the extraordinary emotion of that week in 2001. We were suddenly citizens. We felt connected, urgent, purposeful, immersed in public life, eager to do something, fully alive in the face of tragedy, as we often feel in such times. Fear, blind patriotism, and malevolent anti-Arab/Islamic sentiment were subsidiary emotions in that moment, but the overriding sentiment was heroic and civic.

That was the real threat to the Bush administration, not Al Qaeda, and they did a fairly masterful job of squelching it overall, though outliers and pockets of insurrection survived. These would include Tomdispatch.com, the wonderful site I've been writing for these last five years, founded by Tom Engelhardt's outrage over the 9/11 news and the need to offer a more thoughtful version of that moment in history.

Recently, he wrote, "When historians look back, it will be far clearer that the 'commander-in-chief' of a 'wartime' country and his top officials were focused, first and foremost, not on the shifting 'central theaters' of the Global War on Terror, but on the theater that mattered most to them--the 'home front' where they spent inordinate amounts of time selling the American people a bill of goods." And smothered a moment when a better nation might have been born.

That surge of idealistic passion and solidarity mostly failed, but I saw in those days that people wanted to be something better, something more committed, something more altruistic. The avenues through which to realize such possibilities were mostly blocked then, or remained invisible to so many of us.

A third extraordinary moment came on February 15, 2003, when a worldwide passion against the invasion of Iraq, supposedly justified by 9/11, led tens of millions to march in protest on every continent. The war went forward anyway, despite the constraints an angry citizenry was able to place on it. Thanks to its marketing of 9/11, the Bush administration had carte blanche to do pretty much what it wanted, at least as far as a docile Congress and an intimidated Senate were concerned, if not an increasingly hostile world. So that third moment, staggering in itself, achieved little. And the fourth was a tragedy as well as a rallying cry.

On August 30, 2005, Hurricane Katrina broke the administration's mandate, revealing its callousness, indifference and incompetence to all those who had not yet recognized them in the conduct of an occupation that was already turning into a nightmare of murder and sectarian warfare at close quarters. But Hurricane Katrina revealed something more important. The people of New Orleans, the mostly poor, mostly dark ones left behind in a "mandatory" evacuation run in a style as laissez-faire as any neoliberalist could ever dream of, were demonized by the media and those in charge, from Mayor Ray Nagin to top Bush officials; and yet so many Americans responded not just with rage and grief, but out of a desire to be with the very people who were suffering most, to care for them, and to share with them. Within perhaps a week, 200,000 volunteers had offered beds in their homes to the displaced; in the years since, uncounted hundreds of thousands of volunteers have gone to New Orleans to lend a hand.

Outrage over the racism of that moment, as well as over the brutality of poverty and deprivation revealed then, awoke in so many a painful idealism and a yearning to be a better nation, as well as a realization of just how much remained to be done in New Orleans--and elsewhere. Some say that Obama's rise came in part from the widespread realization that the wounds of racism were still bleeding, that our country desperately needed to change more. (This was, of course, a white realization; I doubt most people of color were soothed by what progress had been made over the previous half-century.).

Katrina was terrible, but the desires it awoke were the same ones blooming today--the desire to do the truly meaningful work, the work of making a better world and better selves, as well as the desire to find common ground, to live in the open space of idealism and possibility. One of the most moving things to me this week is the realization that racism has been a grief also carried somewhere deep within by many of us who are not its victims. This is where so many of our tears came from, as we saw that that grief might be lifted for a moment, maybe even reduced in this new era.

A Brother in Hope

I began writing about hope in the grimmest days of the millennium, after the war in Iraq had been launched and most of the antiwar activists around me felt utterly defeated, not just in this one endeavor but in any sense that history, and the power that comes with it, could be ours. I began writing about hope to convince them that people have, again and again, had just that power, and have made history, and will make it again.

My hope came not only out of specific stories I had lived through, or even dug up as a historian, but out of a deeper sense of the sheer unpredictability of history, the darkness out of which hope emerges. No one foresaw that five years after George W. Bush stood, seemingly infinitely triumphant, on the deck of an aircraft carrier, he would be slinking off history's stage in ignominy and an antiwar candidate would be taking his place. Not antiwar enough, but far beyond what most hoped for a few years ago.

It's been a wild nine years.

I wrote to Barack Obama Monday night when I decided to send him a copy of Hope in the Dark, my book that came out of the invasion of Iraq and the despair around me. After all, he is my brother in hopefulness. I said to my future president (I was hopeful enough to have called the election early): "My hope resided in the countless stories I had witnessed or researched of popular power--but also resided in the unpredictable and ever-changing nature of history, politics, and popular imagination, the darkness I wanted to redeem from negativity and cast as something numinous instead. Heaven knows you are as unlikely a thing as ever happened in this country, though like any great change we will come to see it or you as inevitable and reread the muddled history of the United States as leading to this moment. But right now, it's still breathtaking."

Today, like yesterday, like tomorrow, is a great day. Remember them. And remember whatever joy, tears, or amazement they have brought you, and don't let go of them. They are the candles you get to bring with you in the darkness in which we will need to look for hope again, and to keep moving onward.

There is no stopping now. The wild mare history has us on her back.


Monday, November 03, 2008

O-BA-MA!

I am so excited about my OBAMA lights!




WOO-HOO!

Saturday, November 01, 2008

Prospect.Everyone Pictures

Thanks to Billy, my husband for snapping photos! Unfortunately these were a little Nikki-centric rather than event focused, but here are a few shots of the scenes from Friday night on Julia street:

P-footers made individual head dresses that were inspired by art that can be seen around the city. Mine was based on the Banksy girl under the raining umbrella:


If you look closely, you will see beaded rain under the
umbrella (that do not photograph well at night....)

Fellow Pfooters


Watch out! Big Easy Roller Girls!

Everyone marched behind, in front and all around
the Panorama Jazz Band, seen here warming up.

Ernie K-Doe on his amazing throne


Brice Nice Making tunes

Baby Pool Drive-in

Shadow fun

Sunday, October 26, 2008

Attention! Please Pass the word!

Prospect.Everyone party this Thursday! The event list is spectacular! If you would like to print out the flyer to throw around, I reposted the picture at the end of today's post. Click it and Print away!
Among the events, is the SUMO WRESTLING RING!

That's right. You get to challenge ANYONE you wish to throw on a Sumo wresting (very err, padded) suit and throw down in the ring.

Looking for a fight? Dress up as the economy. I'm sure someone will tackle ya.

Are you and a friend up for drumming up some laughs? Dress up as Obama vs. McCain and have at it. The crowd will love you!

  • sign up on site
  • Meet up with your challengee and go for it!
  • prizes for "extra special" bouts, recipients to be determined by judge and ring master/MC Bruce France of Mondo Bizzaro
PS
Could someone please challenge Fred Radtke, AKA the Grey Ghost, or at least dress up as him so people can work out some aggression that way? That would be terrific. I'll be tied up Pussyfooting all over the event...I cannot do both. My crinoline is too big!


Friday, October 24, 2008

Humid City Posts intelligent Rant Against the Grey Ghost

by NoLA Rising

Grey Ghost Allegedly Issued Summons by NOPD for Criminal Damage

Banksy - No Loitering - phot by NoLA Rising

I knew it would be too good to last. Just this week, the Grey Ghost began the onslaught of grey that has been further blighting our beloved city. Despite all of the rationalizing from the “art world” that even Mr. Radtke would be too sensible to paint over a Banksy (often increasing building values from $35,000 USD to $170,000 USD), it is evident he is not. Today, the Grey Ghost was seen and shot on video painting over the Banksy piece known as “No Loitering.”

We have heard tales of business owners being duped before by strong arm tactics and threats from “The Grey Ghost” that the City of New Orleans would issue citations. We don’t believe such things until we hear them first-hand and can verify stories with said business owners. One such tale comes from the Queen Food Store on N. Rampart. The Asian business owner gave permission to Banksy himself, I was told. I verified that with the owner who described Banksy as, “polite guy who asked permission.” The piece morphed from a “Buffer” piece into the piece locally known as the “Boy Flying the Refrigerator Kite”.

Not too long after returning from the Gustav evacuation, a “woman from City Hall” went to visit the Queen Food Store. Carrying no identification card from the city, nor any letter verifying a possible citation, this “woman from City Hall” told the business owner (who requested her name not be listed), that she had 30 days to remove the “graffiti” or she would face a $3,000 fine at the end of that 30 days. When asked why she would have to remove it, she was told that “neighbors had complained” because the wall art by Banksy was racist since it depicted a “black boy stealing a cooler”.

Read that last line again and feel free to scroll back up to the picture. A famous one-color silhouette style of Banksy depicting a boy flying a refrigerator kite (indicative of our massive refrigerator fiasco after Katrina) was called racist by “neighbors” that complained. Anyone with any sense could see that piece was in no way racist, and being offended by such an allegation, I went to canvas the Treme neighborhood and ask people in the neighborhood for anyone offended by such a piece of artwork.

I found no one who claimed to be offended by it, though there were some indifferent folks (one person wanted more color). Furthermore, all of the people I discussed this with in the neighborhood, a cross section of races, no one came to the conclusion that the artwork was racist. In the business as usual, don’t get me involved, NoLA, many of the neighbors refused to give me their name. However, one man was not so scared to speak up.

Charles Williams, a local and store regular, saw the mysterious “woman from City Hall” and was there the day she told the owner of the Queen Food Store that she had to paint her building or face a fine. This mysterious woman was not riding in a car identifiable as being from City Hall, but in a white cargo van, according to Mr. Williams. Ordinarily, this would evoke no further inquiry, but Mr. Williams volunteered the statement, that the “same person that wanted this off that wall (indicating the store wall), was with the same person that painted grey across the street.” WHAT? Can you please repeat that Mr. Williams.

Before I could recover from the shock that was more chagrin than anything, another man who lives almost facing the wall of the store, confirmed. “Yeh, it’s that guy that goes around painting grey all over the neighborhood.” I was obliged to take a tour of the area where this gentleman showed me grey splotch after ugly grey splotch of the style of the Grey Ghost that I am already too familiar with. Indeed, the “woman from City Hall” arrived in a white van with the man who painted grey on the building across the street. What a coincidence!

In the concluding conversation with the business owner, while on the phone with a real estate appraiser, I was able to tell her that she had increased her property value anywhere between $75,000 USD to $250,000 and then devalued it. The appraiser stated that the Banksy piece “would have been worth a fortune if it could have been removed.” If not, “still would have substantially increased her property value to make it a worthwhile sell.” A nearby piece (”Girl Under Umbrella”) that has since been covered with a protective Plexiglas has had an offer to the owner for $50,000 USD and replacement of the wall that would be taken. I’d say we have some serious art here…

Banksy - It's Raining Grey Around Here

Further phone calls around City Hall turned up no evidence that the address of the Queen Food Store had been reported for the “offending” artwork. No one I spoke to in the various offices of City Hall knew anything about it and had heard nothing about a “racist” piece of artwork on North Rampart. When pressed for a description by one office and being told it was a boy flying a refrigerator kite, one lady working there said, “oh, I liked that one. It’s on my way to work. Why would anyone remove that?”

The owner of the “No Loitering” piece has some serious recourse due him for this offense by The Grey Ghost. The piece is clearly politically charged and from a community standpoint, a deeply meaningful piece. Here we have depicted an elder African-American man enjoying the simple life of his rocking chair, not loitering as some may be inclined to imply. No, he is the neighborhood elder, watching over the neighborhood, guarding the neighborhood and letting the “little daddies” of the hood know that loitering is not permissible there. Why is he holding the American flag? Perhaps he is that war-era bastion of strength that kept the integrity of the neighborhood intact. Perhaps he is waving the American flag saying that he too is an American and where is his help?

Perhaps it was buffed today because it was blatantly racist as well. Or perhaps, racism on the other end is the clear answer…we will never know for sure. While we do not know the motivations behind the “Grey Ghost”, anyone reasonably acting person does not go around town with the utter impunity that this man does. What is even worse than his flagrant disregard for the way decent people live, is that the New Orleans Police Department gives him free reign. When the police are called on him, they will pull up and drive on by. However, they will pull up like gangbusters on a lanky, pimply-faced white kid when he calls them. WHY THE DISPARITY IN POLICE ACTION?

We have seen the tactics employed by the Grey Ghost and are not impressed. They are deplorable and weigh on the fears of people who don’t question the “authority” of the person “from City Hall.” This is the type of tactic I call fear-mongering. “Gangs are going to take over your store and run you out of business.” “City Hall will fine you $3,000 dollars.” What other lies have been told by this person who it is rumored believes he was sent here by God to rid New Orleans of graffiti?

On Wednesday of this week, City Business broke the news that Fred Radtke finally had police action taken against him while painting over the infamous Press Street wall, owned by Southern Waterproofing at 2930 Burgundy St. However, it wasn’t his friends at the NOPD, it was the Military Police that finally arrived to bring justice and equality to the situation. As quoted in City Business, Michelle Gallodoro stated, “It’s been going on and on like this. No matter what we say he doesn’t listen. This guy is running around throwing paint on private property, and no one is doing anything to stop him. Everyone knows that he defaces private property without permission and yet he’s never fined or jailed or anything.”

The Altar of Grail

The Press Street wall is what would be considered a “legal wall” in other cities. A legal wall is a place where the business owners grant permission to local graffiti writers to do with the wall as they see fit. It is a wall where expression can flourish and Michelle Gallodoro has supported her wall being used in an artistic fashion, unassociated with gang activity as Radtke suggests. Again, she is quoted in City Business as saying; “We don’t want him here anymore. He is making everything worse.”

A more shocking twist of events occurred on Thursday, October 23rd, when City Business had discovered the 5th District Police told the Military Police that this was a civil and not a criminal matter and to tell Ms. Gallodoro to hire a lawyer to sue Radtke. The sad irony here is that when the artists who have been given permission to paint the Press Street wall by the owner are harassed by cops and nearly arrested, while Radtke walks the streets with utter disregard, having already been told by not to touch that particular property through letters and phone calls. Of course, in typical Radtke fashion, he was unavailable for comment. He is always unavailable for comment when it comes to the criticism he justly deserves.

In a city where our friends are murdered at an alarming rate and activists are gunned down on the street while riding bikes, it is no wonder that they let a fanatic like Radtke loose to do his own thing. They have neither the time nor the resources to deal with the “issue”. I return to the question, why then, do they jump when he calls? Because he’s duped the mayor and surrounding police chiefs with tough talk? We have a word for what the Grey Ghost does: vigilantism. Regardless of whether you think what he does is a good idea, ponder this: There are a lot of laws on the books that regular people do not get to enforce.

Operation Clean Sweep, the ego-driven project of The Grey Ghost, in coordination with area police departments, has recently offered rewards of $100 for people calling in to snitch on graffiti writers. The greatest offender (in my own humble opinion) is anti-local business vigilante Radtke and people should call and report him for violation.

Radtke can pretty himself up for the cameras and tap dance all he likes about what is or isn’t conducive to bringing new business to New Orleans, but the grey splotches aren’t any boon to our city either! He can crawl in bed with junior legislators and make laws that don’t address the origin of the issue using outdated policing theories, but the grey splotches aren’t a better approach to fighting graffiti. Capt. Ken Curlee of the State Police can stand next to Radtke on a stage and declare that graffiti on the interstate is a distraction to drivers, but does Capt. Curlee address the numerous traffic signs that Radtke has personally destroyed in the City of New Orleans?

Wouldn’t it be logical, with all of these things considered about Fred Radtke that he be charged under the new graffiti laws (House Bill 163)? The laws the Radtke supports could very well be his own downfall, as the description in the law states that graffiti is any “sign, inscription, design, drawing, diagram, etching, sketch, symbol … name or marking placed upon immovable or movable property in such a manner and in such a location as to deface the property and be visible to the general public.” I call for parity in the case of this hypocrite. Let him be fined, sentenced, forced to clean up his graffiti and given community service to do.

Now, for all intensive purposes comes the news we have all been waiting for. October 23rd, 2008 is a historic day for Mr. Radtke because it is emblematic of the day his ten year reign of grey ends, for Fred Radtke was finally charged with criminal damage to property. What needs to happen now is for all business owners affected is to sue him in civil court and request criminal charges be filed in those events. What needs to happen now is for the cost of the permits for murals to be lowered to affordable rates; public murals and business art make this city special and the selectively enforced procedures are buried in the mire of a bizarre city code. And, what needs to happen now is that the citizens and the business owners take back the direction of their city and not let a select few determine what is and isn’t right for all of us.

It’s one small step in the right direction showing that NoLA is indeed Rising!

ReX

NoLA Rising

For related reading, check out this story from City Business:

See other New Orleans City Business Articles coming out today!

[Editor's Note: This story also is covered (in less depth) by the Times Picayune Newspaper as its front page lead, a story also mirrored on NOLA.com along with a great video - Loki]