When Hurricane Katrina struck New Orleans, Abdulrahman Zeitoun, a prosperous Syrian-American and father of four, chose to stay through the storm to protect his house and contracting business. In the days after, he traveled the flooded streets in a secondhand canoe, passing on supplies and helping those he could. But, on September 6, 2005, Zeitoun abruptly disappeared. Dave Eggers's riveting nonfiction book, three years in the making, explores Zeitoun's roots in Syria, his marriage to Kathy − an American who converted to Islam − and their children, and the surreal atmosphere (in New Orleans and the United States generally) in which what happened to Abdulrahman Zeitoun became possible. Like What Is the What, Zeitoun was written in close collaboration with its subjects and involved vast research − in this case, in the U.S., Spain, and Syria.
- Description taken from McSweeney's
Garden District Bookshop
2727 Prytania St
New Orleans, LA 70130-5968
Thursday, July 16, 2009 6:00 PM
Check out the following description of, praise for and excerpt from the book below, taken from McSweeney's. Then check out this interview on The Rumpus.
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Dave Eggers grew up near Chicago, attended the University of Illinois in Urbana-Champaign, and is the author of five books. His first, A Heartbreaking Work of Staggering Genius, a memoir, was a finalist for the Pulitzer Prize. It was followed by You Shall Know Our Velocity!, a novel, and by How We Are Hungry, a collection of short stories. His latest book, What Is the What, was a finalist for the National Book Critics Circle Award. In 1998, Eggers founded McSweeney's, an independent publishing house now located in San Francisco. It publishes books, a quarterly literary journal, The Believer (a monthly magazine of essays and interviews), Wholphin (a short-film DVD quarterly), and a daily humor website. In 2002, Eggers opened 826 Valencia, a writing and tutoring lab for young people in San Francisco's Mission District. There, he continues to teach writing to high-school students, and runs a summer publishing camp. 826 Valencia now has satellite chapters in Brooklyn, Ann Arbor, Los Angeles, Seattle, Boston, and Chicago. A staunch advocate of teachers, Eggers instituted a monthly grant for exceptional Bay Area teachers, and in 2005 he co-wrote Teachers Have It Easy: The Big Sacrifices and Small Salaries of America's Teachers. His interest in oral history led to his 2004 co-founding of Voice of Witness, a nonprofit series of books that use oral history to illuminate human-rights crises around the world. He recently co-wrote, with Spike Jonze, the film adaptation of Maurice Sendak's Where the Wild Things Are, and with his wife, the novelist Vendela Vida, the screenplay for the film Away We Go, which was directed by Sam Mendes. With Valentino Deng, Eggers is the co-founder of the Valentino Achak Deng Foundation, which is improving educational opportunities for Sudanese children in Sudan and the United States.
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"This is a beautiful book. Zeitoun is a poignant, haunting, ethereal story about New Orleans in peril. Eggers has bottled up the feeling of post-Katrina despair better than anyone else. This is a simple story with a lingering radiance."
− Douglas Brinkley, author of The Great Deluge: Hurricane Katrina, New Orleans, and the Mississippi Gulf Coast
"Zeitoun is an American epic. The post-Katrina trials of Abdulrahman Zeitoun would have baffled even Kafka's Joseph K. Though Zeitoun's story could have been a source of cynicism or despair, Dave Eggers's clear and elegant prose manages to deftly capture many of the signature shortcomings of American life while holding onto the innate optimism and endless drive to more closely match our ideals that Zeitoun and his adopted land share. Juggling these contradictions, Eggers captures the puzzle of America."
− Billy Sothern, author of Down in New Orleans
"Zeitoun is a gripping and amazing story that highlights so much about the tragedy of Katrina, post-9/11 life for Arabs and Muslims, and the beautiful nature of American multi-cultural society."
− Yousef Munayyer, policy analyst, American-Arab Anti-Discrimination Committee
− Michael Eric Dyson, author of Come Hell or High Water
Zeitoun woke with the sun and crawled out of his tent. The day was bright, and as far as he could see in any direction the city was underwater. Though every resident of New Orleans imagines great floods, knows that such a thing is possible in a city surrounded by water and ill-conceived levees, the sight, in the light of day, was beyond anything he had imagined. He could only think of Judgment Day, of Noah and forty days of rain. And yet it was so quiet, so still. Nothing moved. He sat on the roof and scanned the horizon, looking for any person, any animal or machine moving. Nothing.
As he did his morning prayers, a helicopter broke the silence, shooting across the treetops and heading downtown.
Zeitoun looked down from the roof to find the water at the same level as the night before. He felt some relief in knowing that it would likely remain there, or even drop a foot once it reached an equilibrium with Lake Pontchartrain.
Zeitoun sat beside his tent, eating cereal he had salvaged from the kitchen. Even with the water no longer rising, he knew he could do nothing at home. He had saved what he could save, and there was nothing else to do here until the water receded.
When he had eaten, he felt restless, trapped. The water was too deep to wade into, its contents too suspect to swim through. But there was the canoe. He saw it, floating above the yard, tethered to the house. Amid the devastation of the city, standing on the roof of his drowned home, Zeitoun felt something like inspiration. He imagined floating, alone, through the streets of his city. In a way, this was a new world, uncharted. He could be an explorer. He could see things first.
He climbed down the side of the house and lowered himself into the canoe. He untied the rope and set out.
He paddled down Dart Street, the water flat and clear. And strangely, almost immediately, Zeitoun felt at peace. The damage to the neighborhood was extraordinary, but there was an odd calm in his heart. So much had been lost, but there was a stillness to the city that was almost hypnotic.
He coasted away from his home, passing over bicycles and cars, their antennae scraping the bottom of his canoe. Every vehicle, old and new, was gone, unsalvageable. The numbers filled his head: there were a hundred thousand cars lost in the flood. Maybe more. What would happen to them? Who would take them once the waters receded? In what hole could they all be buried?
Almost everyone he knew had left for a day or two, expecting little damage. He passed by their homes, so many of which he'd painted and even helped build, calculating how much was lost inside. It made him sick, the anguish this would cause. No one, he knew, had prepared for this, adequately or at all.
He thought of the animals. The squirrels, the mice, rats, frogs, possums, lizards. All gone. Millions of animals drowned. Only birds would survive this sort of apocalypse. Birds, some snakes, any beast that could find higher ground ahead of the rising tide. He looked for fish. If he was floating atop water shared with the lake, surely fish had been swept into the city. And, on cue, he saw a murky form darting between submerged tree branches.
He was conflicted about what he was seeing, a refracted version of his city, one where homes and trees were bisected and mirrored in this oddly calm body of water. The novelty of the new world brought forth the adventurer in him − he wanted to see it all, the whole city, what had become of it. But the builder in him thought of the damage, how long it would take to rebuild. Years, maybe a decade. He wondered if the world at large could already see what he was seeing, a disaster mythical in scale and severity.
In his neighborhood, miles from the closest levee, the water had risen slowly enough that he knew it was unlikely that anyone had died in the flood. But with a shudder he thought of those closer to the breaches. He didn't know where the levees had failed, but he knew anyone living nearby would have been quickly overwhelmed.
He turned on Vincennes Place and headed south. Someone called his name. He looked up to see a client of his, Frank Noland, a fit and robust man of about sixty, leaning out from a second-story window. Zeitoun had done work on his house a few years ago. The Zeitouns would see Frank and his wife occasionally in the neighborhood, and they always exchanged warm greetings.
Zeitoun waved and paddled over.
"You got a cigarette?" Frank asked, looking down.
Zeitoun shook his head no, and coasted closer to the window where Frank had appeared. It was a strange sensation, paddling over the man's yard; the usual barrier that would prevent one from guiding a vehicle up to the house was gone. He could glide directly from the street, diagonally across the lawn, and appear just a few feet below a second-story window. Zeitoun was just getting accustomed to the new physics of this world.
Frank was shirtless, wearing only a pair of tennis shorts. His wife was behind him, and they had a guest in the house, another woman of similar age. Both women were dressed in T-shirts and shorts, suffering in the heat. It was early in the day, but the humidity was already oppressive.
"You think you could take me to where I can buy some smokes?" Frank asked. Zeitoun told him that he didn't think any store would be open and selling cigarettes this day.
Frank sighed. "See what happened to my
motorcycle?" He pointed to the porch next door.
Zeitoun remembered Frank talking about this motorcycle − an antique bike that he had bought, restored, and lavished attention on. Now it was under six feet of water. As the water had risen the day before, Frank had moved it from the driveway up to the porch and then to his next-door neighbor's porch, which was higher. But now it was gone. They could still see the faint, blurred likeness of the machine, like a relic from a previous civilization.
He and Frank talked for a few minutes about the storm, the flood, how Frank had expected it but then hadn't expected it at all.
"Any chance you can take me to check on my truck?" Frank asked. Zeitoun agreed, but told Frank that he'd have to continue on a while longer. Zeitoun was planning to check on one of his rental properties, about two miles away.
Frank agreed to come along for the ride, and climbed down from the window and into the canoe. Zeitoun gave him the extra paddle and they were off.
"Brand new truck," Frank said. He had parked it on Fontainebleau, thinking that because the road was a foot or so higher than Vincennes, the truck would be spared. They made their way up six blocks to where Frank had parked the truck, and then Zeitoun heard Frank's quick intake of breath. The truck was under five feet of water and had migrated half a block. Like his motorcycle, it was gone, a thing of the past.
"You want to get anything out of it?" Zeitoun asked.
Frank shook his head. "I don't want to look at it. Let's go."
A few doors down, Zeitoun and Frank came upon a house with a large white cloth billowing from the second-floor window.
When they got closer, they saw a couple, a husband and wife in their seventies, leaning out of the window.
"You surrender?" Frank asked.
The man smiled.
"You want to get out?" Zeitoun asked.
"Yes, we do," the man said. They couldn't safely fit anyone else in the canoe, so Zeitoun and Frank promised to send someone back to the house as soon as they got to Claiborne. They assumed there would be activity there, that if anywhere would have a police or military presence, it would be Claiborne, the main thoroughfare nearby.
"We'll be right back," Zeitoun said.
As they were paddling away from the couple's house, they heard a faint female voice. It was a kind of moan, weak and tremulous.
"You hear that?" Zeitoun asked.
Frank nodded. "It's coming from that direction."
They paddled toward the sound and heard the voice again.
It was coming from a one-story house on Nashville. They coasted toward the front door and heard the voice again: "Help me."
Zeitoun dropped his paddle and jumped into the water. He held his breath and swam to the porch. The steps came quicker than he thought. He jammed his knee against the masonry and let out a gasp. When he stood, the water was up to his neck.
"You okay?" Frank asked. Zeitoun nodded and made his way up the steps.
"Hello?" the voice said, now hopeful.
He tried the front door. It was stuck. Zeitoun kicked the door. It wouldn't move. He kicked again. No movement. With the water now to his chest, he ran his body against the door. He did it again. And again. Finally it gave.
Inside he found a woman hovering above him. She was in her seventies, a large woman, over two hundred pounds. Her patterned dress was spread out on the surface of the water like a great floating flower. Her legs dangled below. She was holding on to a bookshelf.
"Help me," she said.