Monday, January 15, 2007

Many, Many Photos from the New Orleans Enough! March


Miranda Lake was kind enough to take photos for me to post here. I was still en route from the funeral and recovering from a mean chest cold that rendered me voiceless. Thank you Miranda.

Many people complained about the racial make-up of the crowd. I just want to point out that it is pretty difficult to come out for a march that was planned quickly and takes place at 11 a.m. during a work day. When I taught in public schools, it was a good parent-teacher conference turn out if five families came in. Most people work -sometimes two or three jobs. I can't imagine you can tell your boss that you'll be leaving work for a demonstration.


David Koen and Kittee bee-lined it from So. Carolina, beginning the drive at around 5 p.m. on Wednesday and managing to get to the march in time. Here's David, below, wearing a strip of cloth that Kittee tied on his arm from the material she used to make her Helen vegan cupcake banner:



Francine, thank you for leaving this sign for us at our door. It was good to come home to:


People marched by neighborhood. Mine is Central City, which according to many accounts, received a hero's welcome when they arrived at City Hall. Central City was the first neighborhood to be super plagued with murders after the storm. The so-called "Triangle of Death" is within the bounds of this very large neighborhood.

Central City:

From a March 21, 2006 Nolanik post:


Central City at the march, continued...






Bywater, one neighborhood downriver from Marigny:




Gentilly:



The Irish Channel:


Read these signs:


















Ruthie Monday XXXIV

Well, It's time to get some normalcy going on up in here. So I will resume Ms. Norma's Ruthie Mondays.

She posed for about 2 seconds in this ribbon on Christmas day...



Saturday, January 13, 2007

Fun Short Film Projects by Helen and Paul

For the past few years, Helen made a wee film for Halloween to be posted at the Gothtober website. Paul sang nice songs for these. They are useful for cheering yourself up!

Check them out by clicking these links and then clicking on October 9th:

Gothtoberfest 2005

Gothtoberfest 2006


Click the 2nd for

Gothtoberfest 2004


and

Gothtoberfest 2003

I think you'll like them.

Friday, January 12, 2007

Helen Hills' Funeral, and Kittee's Vegan "Helen Cupcakes"

Click on photo for larger image



This is the cover of Helen's Funeral Program. The illustration is from one of her movies -the one about her grandfather's funeral, which took place in the same church.

Kittee was a close, dear friend of Helen's, she was a pall-bearer for her. We went to the church early so that Kittee could put out a special vegan Helen Cupcake banner for everyone to see and taste:


On the way to the church

Waiting to get into the church...
The process...






Helen would have thought that was so pretty, Kittee. ..and yummy.

How to Help the New Orleans Community

People have been emailing me, asking where to donate money to New Orleans. Having been a public school teacher for a decade, both in NYC and here in New Orleans, I have formed strong opinions about the benefits of creative expression in building confidence and providing an outlet for inner city youth.

SO.

Here are my first-thought suggestions, below. I will provide a permenant link to this page in my links column on this blog. I will also add to these when I can. Feel free to post comments with more suggestions of community-based organizations that may not otherwise be in the press. I know that I hve not even begun to include effective neighborhood community centers here, or sports or music based programs.

I have worked with YA/YA on an art project that included almost 100 portraits of incarcerated loved ones painted by elementary students at The Craig School in Treme. The work was a backdrop for a press conference held by Critical Resistance South. These Ya/Ya folks are good people.

Ashé is a group that takes in folks, mostly from the Central City area (my neighborhood) of Nola in order to help them find creative outlets for expression, no matter the age.

Café Reconcile rocks. They take in kids and teach them how to cook and then put them to work in a real café with EXCELLENT down home food here in Central City.

KIDsmARt is an organization that provides an arts school for afterschool. They take in kids from troubled backgrounds or creative kids in general, providing support and confidence building for the students. I have sent a creative, but troubled student down there (randomly, without following their usual protocol for admitting students) and they welcomed her with open arms. Her confidence has improved drastically and her talents are developing rapidly.

NOCCA is the school for super creative kids where Helen has popped in and out, helping kids learn that you do not have to be a technical genius to make excellent films. She was about to start helping out in film studies more consistently as a staff member before she left us. The school employs local artiststs to work with students, which I feel is a great, inspirational example for them. The need for this school here, in a city where creativity abounds, goes without saying. It is a wonderful place.

The Neighborhood Story Project started with the idea of sending public highschool students into their own neighborhoods to interview the community and put together books of writing, filled with interviews, about the distinct character of each. The importance of talking to neighbors and learning their histories and personalities is an invaluable lesson to youth of today, who are often isolated from these types of connections.

The New Orleans Kid Camera Project is a brilliant way for kids to process the visual trauma of living in New Orleans. The project began after Katrina, but the visual trauma started for these kids long before the storm, and I hope that this program continues to provide this forum for expression for children of our communities.








KID smART is a nonprofit 501 c.3 organization, created to teach positive life skills to children through the performing and visual arts. KID smART programs involve intensive, quality instruction by professional artists who have experience working with under-resourced children. Instruction is challenging and dynamic, allowing children to think in new ways, explore new mediums and investigate themselves and the world in which they live.









Café Reconcile

In 1996, under the leadership of the late Rev. Harry Tompson, S.J., a group of concerned people of faith gathered together to began a course of prayer, study, research, observation and dialogue regarding the witnessed challenges facing out-of-school youth in New Orleans. The newspapers, police reports, television news, research and personal experiences all pointed to a multitude of young lives spiraling into destructive and violent behaviors.

In an effort to stem that tide, to effect a glimmer of hope in the near-downtown community of Central City, this group of concerned and motivated people began the planning and research necessary to establish a safe and supportive place where at-risk youth could have the option of receiving the life, work and educational skills necessary to turn their lives on a productive path toward thriving and complete citizens of this city.





The New Orleans Kid Camera Project was created to address the psychological and emotional impacts of Hurricane Katrina on children returning home to New Orleans. Through the use of photography, creative writing and mixed media, children from flooded neighborhoods explore their environment and express themselves, their stories and feelings with their friends. This project provides a venue for growth and recovery. By teaching the children tangible skills and exposing them to new means of expression, we hope to empower them to impact their lives and environment.

YA/YA (Young Aspirations/Young Artists), Inc. is a non-profit arts and social service organization whose mission is to provide educational experiences and opportunities that empower artistically talented inner-city youth to be professionally self-sufficient through creative self-expression.

Since it's founding in 1988, the YA/YA studio-gallery has provided young artists who have limited access to educational resources and career opportunities the chance to apprentice with professional artists, create public artworks, design merchandise, serve as cultural ambassadors, work as project managers, and mentor others in the arts.

YA/YA has received extensive media exposure with features in Fortune, Rolling Stone, The New York Times, Elle Décor, and ArtNews, as well as MTV's House of Style, Sesame Street, and NBC's Today show.

In 2002, YA/YA was a guest on The Oprah Winfrey Show as a recipient of the Angel Network "Use Your Life Award."



















Ashé is a gathering place for emerging and established artists to present, create and collaborate in giving life to their art. For those who felt compelled to choose more mainstream existence at earlier points in their lives, Ashé is a reclaiming harbor that welcomes them with open arms. Ashé is a magnetic force that first attracts and then activates the artistic, creative and entrepreneurial possibilities available in our community.

We work to involve the entire community, from children to elders, in our planning and creative efforts. We celebrate the life and cultural traditions of the community, and then we immortalize them in our art. Storytelling, poetry, music, dance, photography, and visual art all are a part of the work we do to revive the possibility and vision of a true " Renaissance on the Boulevard." Our name ASHÉ - a Yoruban word that translates closely to AMEN - So let it be done - The ability to make things happen, bears testimony to our commitment and intention to accomplish our goals.







The New Orleans Center for Creative Arts|Riverfront is a world-class educational institution that has been changing the lives of young people since 1973. Every year, this pre-professional arts training center provides intensive instruction in dance, media arts, music (classical, jazz, vocal), theatre arts (drama, musical theatre, theatre design), visual arts, and creative writing, to students from public, private, and parochial schools across Louisiana through schoolday, after-school, weekend, and summer sessions.

Tuesday, January 09, 2007

Taken by the Tide

My husband's (Billy Sothern) writing appears in the New York Times Op Ed section Wednesday. This piece talks about the toll Helen's death has taken on his heart and his morale and resolve to fight for this city.

Here's the link: Taken by the Tide, Billy Sothern


Taken by the Tide

Michael Kupperman

Published: January 10, 2007

New Orleans

IN one 24-hour period last week in New Orleans, now a small city of 200,000, six people were murdered. Last year’s total of 161 murders probably made New Orleans the deadliest city in the United States by a significant margin. I suppose it was only a matter of time before the violence touched my life directly.

Last Thursday morning I received a call from my friend Kittee. “I have awful news,” she said, and then, very quickly: “Someone broke into Paul and Helen’s house. Helen was shot and killed. Paul was holding Baby Francis and was shot three times. He’s still alive. Francis is O.K.”

Paul Gailiunas — Dr. Paul, I call him — had been my physician for several years at the Little Doctors Clinic, a health center for poor people that he founded in Treme, one of America’s oldest black neighborhoods.

I had started to see Paul after my previous doctor mocked one of my colleagues about our work representing people on Louisiana’s death row. When I met Paul through a friend, I asked him directly, “Are you in favor of the death penalty?” He responded, with a smile, “Eh, I’m Canadian,” clearly feeling that was answer enough.

And it was, coming from the founder of our local chapter of Food Not Bombs and the front man for the Troublemakers (a band whose songs celebrate Emma Goldman and the idea of universal health care) in such a lighthearted tone that it would scarcely have alienated the most ardent conservative.

Helen Hill was Paul’s perfect match — a kind and generous woman who made award-winning animated films and taught art and filmmaking to children, adults, anyone who was interested. She’d spent much of the last year restoring reels of 16-millimeter film on which she had drawn by hand, and which had been damaged when their house took four feet of water during Hurricane Katrina.

She had a new film under way, inspired by discarded hand-sewn dresses, made by an elderly New Orleanian, which Helen had found in the trash after the woman’s death. The film interwove the story of the old woman and her dresses with Helen’s own flood-torn life, which took her, Paul and Francis to Columbia, S.C. — Helen’s hometown, where she will be buried today — for almost a year.

Helen had longed to return to New Orleans, despite Paul’s concern that crime and potential hurricanes made it too dangerous for their family. So Helen campaigned, sending Paul’s friends in New Orleans blank postcards, addressed to Paul, for us to write and mail to him. In mine, I pleaded with Paul — “We need you” — the way I do with anyone who is thinking about leaving, coming to, or even just visiting New Orleans. After what I am sure was a flood of similar cards, Paul relented.

I saw Paul and the baby a day after their return to the city, at a parade on the anniversary of Hurricane Katrina. Francis had on a little railroad conductor’s hat, a T-shirt depicting a cartoon love affair between red beans and rice (the New Orleans Monday lunch classic), and a little sign pinned to his back, in Helen’s hand: “New Orleans Native. I Got Back Yesterday!”

The day of the anniversary was solemn but optimistic. Everyone still had a can-do attitude. Paul, for one, could help make the city’s people well and improve health care for the poor. Helen could make art depicting the city’s life. Others could rebuild schools, demand better levees, reconstruct their homes. It still felt as if our grassroots efforts, along with some real help from a government finally forced to make good on its obligations, could create a more just, fair and safe city. It might have been naïve, but it really seemed possible.

After wandering this beautiful, falling-over city the afternoon after Helen’s murder, forcing myself to remember why I love it here so much, I came back to my garden and picked flowers, those hardy few that had weathered the recent cold. I put them in a vase, wrote out the verses to Edna St. Vincent Millay’s “Dirge Without Music” — “I am not resigned to the shutting away of loving hearts in the hard ground / So it is, and so it will be, for so it has been, time out of mind” — and drove to the couple’s house, which my wife and I had recently visited for Helen’s open studio. On the steps leading up to their old shotgun house I set down the poem and the vase, just feet from where Paul had been found by the police, shot, bleeding, holding his baby.

On the way home, I stopped at my neighborhood bar to try to eat something. A picture of Paul and Helen, followed by one of the baby, appeared on the television in the corner. Oh, my God. The bartender was kind. She asked me whether I knew them, and talked to me about her fears living with her new baby in a city with no functional schools, no real plan for redevelopment, and spotty or nonexistent basic services. The TV news switched to a weather report: torrential downpours were expected to dump half a foot of rain overnight.

I drove home in the twilight and arrived uneasy and restless. Remembering the coming rain, I resolved to make myself useful to my block by digging out a sewer so backed up that the street — on high ground by New Orleans standards — floods at even the hint of rain. I had done this many times before, having realized that my innumerable calls to the city were in vain.

I pried up the 100-pound cast iron cover with a shovel and then shimmied it from side to side until I had the two-by-four sewer open. It was full to the top with debris. I shoveled out the leaves, dirt, Popeye’s cups and other garbage until the small brick rectangle was as clean as it was a century ago, when New Orleans first created this drainage system.

Then I set to work on clearing the cylindrical drain — about as wide as a hubcap, at the bottom corner of the cleaned-out basin — so that the rain could find its way into the city’s sewers, away from our houses, cars and belongings. I got down with a small shovel and burrowed through the muck until it seemed to open at the other side. Reaching in, though, I could feel that beyond the drain lay more dirt and leaves, packed hard.

Indeed, it became clear to me that the whole sewer line running beneath the street was solid with waste, impenetrable to arms and shovels — that my street would flood again that night. The problem, I realized, is bigger than me.

I know. But I do not approve. And I am not resigned.

Billy Sothern, a lawyer, is the author of the forthcoming “Down in New Orleans: Reflections on a Drowned City.”

On to South Carolina

If you cannot see the magical tree sculpture, I will fix it when I come back from the funeral- probably, realistically, on Friday.